Los Angeles Modernism Show May 1-3, 2009
Santa Monica Civic Center
The image precedes description
Amanda Lynn (20th Century) American
BROWN ROSES, oil painting wood panel, signed on verso, 20 x 12”, with artist’s made frame.
Allan D’Archangelo (1930-1988) American
UNTITLED, 1979, color screenprint, signed in pencil, from the numbered edition 175, image 26 ½ x 24”, full margins, a few soft handling creases, otherwise in good condition.
Balinese School (mid 20th Century)
DANCER IN FESTIVE COSTUME WITH TWO DRUMMERS, highly detailed oil painting with mixed media on canvas, 39 ½ x 26 ½”, signed and inscribed Sudana Jebesaya, Ubud, Bali lower right, framed.
Dmitri Baltermant (1912-1990) Russian
TEST PILOT, 1961, gelatin silver print, rare large format, from the estate edition of 5, with the artist’s and the estate stamp on verso, signed by the estate in pencil and numbered on verso, framed.
Dmitri Baltermant (1912-1990) Russian
BRIDGE OVER DNEPR, a lifetime gelatin silver print, with the artist’s stamp and title on verso, 17 ¼ x 11 5/8”, crease lower left margin edge, otherwise in good condition.
Dmitri Baltermant (1912-1990) Russian
NATION’S CHIEF TIMEPIECE, gelatin silver print, 16 x 20”, from the estate edition of 25, with the artist’s and the estate stamp on verso, signed by the estate in pencil and numbered 9/25 on verso.
Charles Bell (1935-1995) American
DOUBLE BUBBLE, color Giclee on thick paper, signed in pencil, from the numbered edition 150, image 25 7/8 x 25 7/8”, full margins, published by Robert Bane Ltd, framed.
Charles Bell (1935-1995) American
LUCKY LADY, color Giclee on thick paper, estate signed, from the numbered edition 200, image 20 x 38 ¾”, full margins, published by Robert Bane Ltd.
Karl Benjamin (b. 1925) Californian
UNTITLED, 1962, oil painting on canvas, signed and dated lower left, 44 x 50”, professionally re-lined by Fine Art Conservation Laboratory of Santa Barbara. Provenance: Ester Robles, Los Angeles
Bennett Brothers (20th Century) Californian
CELESTE, cast bronze sculpture, signed, from the numbered edition 150, height 38 ½”, mounted to 1 ½” marble base.
Bob Burdette (b. 1973) German
NOT ON A SCHOOL NIGHT, acrylic painting on canvas, signed on verso, 12 x 12”. Provenance: David Lusk Gallery
Bob Burdette (b. 1973) German
DID SHE REALLY SAY THAT?, acrylic painting on canvas, signed on verso, 12 x 12”. Provenance: David Lusk Gallery
Pruett Alexander Carter (1891-1955) American
THE CONVERSATION, oil painting on canvas, signed lower right, 32 x 36”, re-lined and with new stretcher bars, framed, some hairline vertical cracking, otherwise in good condition.
Emily Cheng (b. 1953) American
FACES, 1999, five color c-prints, each signed and dated and inscribed ‘RTP’, images 28 ½ x 19 ¼”, with full margins, printed by Muse X.
Lucien Clergue (b. 1934) French
BRETAGNE (REFLECTIONS IN WATER), 1971, vintage gelatin silver print, signed in pen, from the numbered edition of 20, with artist’s and Atelier stamps on verso, 23 ½ x 19 ½”.
Unidentified Contemporary Artist
A FABULOUS BLONDE MODEL, oil painting on canvas, 40 x 30”, framed.
Salvador Dali (1904-1989) Spanish
AL MATADERO (plate 65 from Los Capricios de Goya), etching and heliogravure, signed in pencil, from the numbered edition 200, plate 9 x 6 ¼”, full margins, framed.
Salvador Dali (1904-1989) Spanish
Y TAMBIEN SU PADRE (plate 16 from Los Capricios de Goya), etching and heliogravure, signed in pencil, from the numbered edition 200, plate 9 x 6 ¼”, full margins, framed.
Peter Dalton (1894-1972) American
RECLINING NUDE, 1951, cast bronze sculpture with green patina, signed and dated, 14” tall, 24” long, 5 ½” deep.
Davies (20th Century)
ORGAN GRINDER WITH DANCER, aquatint etching, signed in pencil, from the numbered edition 26, image 4 ¾ x 3 ½”, full margins, framed.
Giorgio De Chirico (1888-1978) Greek
TESEO (B.5), 1971, color soft ground etching, signed in pencil, from the numbered edition 50, image 17 x 14 3/8”, artist’s blindstamp lower left, published by Alberto Caprini with blindstamp lower right, full margins, a few soft handling creases, otherwise in good condition.
Decorative Arts:
Jane Bruce (20th Century) British
BLACK/ SCARLET OBJECT, 1999, blown glass kiln formed hand finished item, signed and dated, 10 ½” long. Provenance: Museum of Arts & Design, New York
Decorative Arts:
Franco Deboni (20th Century) Italian
VASE, hand blown glass with craterous top and bottom, signed and dated, 6 ¾” tall, 6 ½” wide. Provenance: Museum of Arts & Design, New York
Decorative Arts:
Stephen Dale Edwards (b. 1948) American
BLUE BLUSHER, hand-blown and etched glass, signed and dated, 4 x 9 x 6”. Provenance: Museum of Arts & Design, New York
Decorative Arts:
Susan Jamart (b. 1942) American
Five woven grosgrain ribbon baskets, average 6 x 8 x 8”. Provenance: Museum of Arts & Design, New York
Decorative Arts:
Daniel Mack (20th Century) American
RUSTIC WRIGHT, a pair of hand made maple wood chairs with linen upholstery seats, 47 ½” tall. Provenance: Museum of Arts & Design, New York
Decorative Arts:
Richard Meitner (b. 1949) American
UNTITLED, enamel blown glass, signed, 6 ½” tall, 4 ¼” diameter. Provenance: Museum of Arts & Design, New York
Decorative Arts:
Dido Smith (20th Century) American
SEA FORMS, 1951, slip glazed grog clay, wheel thrown ceramic, signed, 7 ¼” tall. Provenance: Museum of Arts & Design, New York
Decorative Arts:
Van Briggle Pottery (early 20th Century)
BUD VASES, 1901-1920, a pair of blue green glazed earthenware ceramic vases with grape vine patterns, with incised Van Briggle marks, 11 ½” tall, 5 ½ “ diameter. Provenance: Museum of Arts & Design, New York
Van Briggle Pottery (early 20th Century)
DRAGONFLY BOWL, 1901-1920, burgundy mauve glazed earthenware ceramic bowl with dragonfly pattern, with incised Van Briggle mark, 12” diameter, 3 ½” tall. Provenance: Museum of Arts & Design, New York
Van Briggle Pottery (early 20th Century)
VASE, 1901-1920, mauve blue-grey glazed earthenware ceramic vase, with incised Van Briggle mark, 9 ¾” tall, 5” diameter. Provenance: Museum of Arts & Design, New York
Van Briggle Pottery (early 20th Century)
LEAF BOWL, 1901-1920, blue green glazed earthenware ceramic bowl with leaf pattern, with incised Van Briggle mark, 8” diameter, 5” tall. Provenance: Museum of Arts & Design, New York
Decorative Arts:
Angela Verdon (20th Century) British (two)
A pair of bone china porcelain bowls, each initialed, each 2 ½” tall & 4 ½” diameter. (2) Provenance: Museum of Arts & Design, New York
Decorative Arts:
Dale Zheutlin (b. 1972) American
FORT POINT WINDOW Series #5, smoke-fired ceramic, signed 8 ¼” tall, 7 ½” wide, 2 ½” deep. Provenance: Museum of Arts & Design, New York
Stephen Douglas (b. 1949) American
SEATED NUDE WITH CROSSED ARMS AND TIMER, 1994, oil painting on canvas, signed and dated lower left and on verso, 52 x 39”, framed.
Stephen Douglas (b. 1949) American
NUDE WITH MIRROR, 1994, oil painting on Windberg Art panel, signed and dated on verso, 16 x 20”, framed.
SUNBURST I, fabricated brass sculpture with three votive holders, 27 x 22”, with wood base. Provenance: Acquired directly from the artist by the owner.
SUNBURST II, fabricated brass sculpture with three votive holders, 27 x 22”, with wood base. Provenance: Acquired directly from the artist by the owner.
Marcel Dzama (b. 1974) Canadian
MAN IN THE IRON MASK, ink painting with rootbeer on paper, signed lower right, 12 x 9”, framed.
Marcel Dzama (b. 1974) Canadian
TIN MAN WITH MACHINE GUN, ink painting with rootbeer on paper, signed lower right, 12 x 9”, framed.
Marcel Dzama (b. 1974) Canadian
TEDDY BEAR BANDIT, ink painting with rootbeer on paper, signed lower right, 12 x 9”, framed.