Los Angeles Modernism Show May 1-3, 2009
Santa Monica Civic Center
The image precedes the description
Bob Seidemann (20th Century) American
UNTITLED, 1994, gelatin silver print, signed and dated in pencil and with the artist’s stamp on verso, with image 13 ¼ x 13” on 16 x 20” sheet, framed, discoloration in margins, some wear at sheet edges, otherwise in good condition.
Jun Sekino (1914-1988) Japanese
PORTRAIT OF ARTIST’S DAUGHTER, color woodblock print with artist’s watermark, signed in pencil, from the numbered edition 100, image 15 ¼ x 21”, full margins, framed.
Gilbert Stone (1940 – 1984) American
SURREALIST LANDSCAPE WITH NUDE, oil painting on wood panel, signed lower left, 48 x 60”, framed.
Gilbert Stone (1940 – 1984) American
STUDY FOR LAST JUDGMENT, 1981, oil painting on canvas, signed lower left, titled and signed and dated on verso, 24 x 18”, framed.
Gilbert Stone (1940 – 1984) American
THE ANSTORM OF PAULA, 1970, oil painting on Masonite, signed and titled on verso, 12 x 12 ½”, framed.
Gilbert Stone (1940 – 1984) American
ANGEL WITH ROSE, oil painting on canvas, signed lower left, 96 x 60”, framed.
Gilbert Stone (1940 – 1984) American
RAQUEL WELCH, oil painting on canvas, signed titled and dated on verso, 36 x 36”, framed.
Jock Sturges (b. 1947) American
ALLISON, NORTHERN CALIFORNIA, 1992, color pigment print, signed in pencil and inscribed artist’s proof, image 23 x 17 ¾”, blindstamp lower right, full margins, framed with glass.
Jock Sturges (b. 1947) American
CLARICE (Girl on porch with flowers), MONTALIVET, FRANCE, 2005, color pigment print, signed in pencil, from the numbered edition 25, 18 x 22 ¾”, full margins, framed with glass.
Chloe Tallot (20th Century) French
LA BAIN BLUE, 2004, color pigment print, signed, dated and titled on verso, from the numbered edition of 10, sheet 16 ½ x 11 ½”, framed.
Chloe Tallot (20th Century) French
VULNERABLE SERIE ANIMAL, color pigment print, signed, dated and titled lower right, from the numbered edition of 7, sheet 13 x 19”, framed, studio creases upper right corner.
Dorothea Tanning (b.1910) American
COMPOSITION SURREALISTE, 1976, color lithograph, signed in pencil, from the numbered edition 500, image 19 x 15”, sheet 30 x 22”, mild toning from previous framing, a few discoloration speckles, otherwise in good condition.
Commissioned by the Centre National de l’Art Contemporain in Paris for the 1974 Dorothea Tanning Retrospective.
Walasse Ting (b. 1929) Chinese/ American
WOMAN WITH A FAN, watercolor on paper, character stamp lower right, 5 x 7 ¼”, nicely framed.
Antoniucci Volti (1915-1989) French
RECLINING WOMAN, cast bronze sculpture with dark & green patinas, signed and numbered 2/6, height 6 ½”, length 18 ½”, width 10 ½”.
Von Hammill (20th Century) American
SAINT PETER’S BASILICA, oil painting on canvas, signed lower right, signed titled and dated on verso, 40 x 30”, with massive elaborate frame.
after Andy Warhol (1928-1987) American
TOMATO SOUP, color screenprint, stamped “Fill In Your Own Signature & published by Sunday B. Morning” in blue on the verso, sheet 35 x 23”.
Edward Weston (1886-1958) American
CHARLI’S LEGS IN HAMMOCK, 1937, vintage gelatin silver print, 7 ½ x 9 ½”, framed with glass, two creases lower right, minor skinning on verso from previous hinges, otherwise in good condition.
Raymond Whyte (1923-2002) American
DAPHNE CHANGING, 1965, oil painting on canvas, signed and dated right, 29 x 21”, framed. Provenance: Galerie De Tours, San Francisco
Grant Wood (1891-1942) American
APPROACHING STORM, 1940, lithograph, signed in pencil, plate 11 ¾ x 8 7/8”, sheet 13 x 10 7/8”, with unevenly trimmed margins, mild toning from previous framing, a few discoloration speckles, otherwise in good condition.
Matt Wuerker (20th Century) Illustrator
IN BED WITH RONNIE, ink drawing on paper, signed lower right, 7 ¾ x 13 ¾”.
JOAN OF ARC SAVED FRANCE (R.217), 1918, color lithograph poster, 28 x 21”, bright fresh colors, linen-backed. Condition A
Hiro Yada (20th Century) Japanese
ASSORTED, 1971, color screenprints, each signed in pencil, from the number editions of 30, sheets 20 x 28”, Cirrus Editions.
James Yarbrough (b. 1938) American
DREAMING OF HERSELF DREAMING OF…, etching, signed in ink, from the numbered edition 80, image 8 x 11 ½”.
Hodaka Yoshida (b. 1926) Japanese
MAILBOX 322, 1975, color woodblock print, signed in pencil, from the numbered edition 100, image 13 x 8 ½”, full margins.
Hodaka Yoshida (b. 1926) Japanese
NUDE WOMAN ON SIDEWALK, 1975, color woodblock print, signed in pencil, from the numbered edition 50, image 17 ¼ x 13”, full margins.
Hodaka Yoshida (b. 1926) Japanese
CAMBRIDGE, SUSAN AT THE FENCE, 1974, color woodblock print, signed in pencil, from the numbered edition 50, image 17 ¼ x 13”, full margins.
Hodaka Yoshida (b. 1926) Japanese
THE MARLBORO NUDES, 1974, color woodblock print, signed in pencil, from the numbered edition 50, image 17 ¼ x 13”, full margins.
Hodaka Yoshida (b. 1926) Japanese
THE LOBSTER FARM, 1974, color woodblock print, signed in pencil, from the numbered edition 50, image 22 x 16 ¼”, full margins.
Hodaka Yoshida (b. 1926) Japanese
STOP TIME, 1969, color screenprint, signed in pencil, from the numbered edition 50, image 22 ½ x 17 ½”, full margins, framed.
Zane (20th Century) American
UNTITLED, oil painting on canvas, signed on verso, 30 x 48”.
Francisco Zuniga (1912-1998) Costa Rican
DOS MUJERES SENTADAS (Two Seated Women) (ZV.2269), 1975, ink drawing on paper, signed and dated lower left, 13 x 19 ¼”, framed.
Provenance: Jack Rutberg Fine Arts, Los Angeles
Literature: Francisco Zuniga Catalogue Raisonne Volume IV, Drawings 1971 - 1989, Albedrio/Fundacion Zuniga Laborde, A.C., 2006, Illustrated Plate 2269, Page 498
Francisco Zuniga (1912-1998) Costa Rican
LA SEMPRADORA (2nd State) (B.28), 1976, lithograph, signed in pencil, from the second state edition of only 15, edition Roman numeral 15, Kyron blindstamp lower right, sheet 25 x 34 ½”, framed.
Francisco Zuniga (1912-1998) Costa Rican
ROSTRO CON MANOS (B.23), 1976, lithograph, signed in pencil, from the numbered edition 16, total edition 24 including proofs, printed and published by Kyron, sheet 16 ½ x 13 ½”, framed
Francisco Zuniga (1912-1998) Costa Rican
MUJERS SIMPATOS, 1965, color pastel on paper, signed and dated, 19 ¾ x 25 ¾”, Instituto Nationale De Anthropologia E Historia, 1965 stamp on verso, framed, mild toning from light and matting, cardboard toning on verso, masking tape glue remnants on verso at sheet edges, otherwise in good condition.